In Mysterium Cosmographicum, Johannes Kepler proposed that the relationship between the distances of the six planets known in the 16th century could be understood through the five Platonic solids, enclosed within a sphere that represented the Saturnian orbit.

This machine repeats a ritual centered around a dodecahedron—a fundamental piece of sacred geometry—which rotates to project an incidental geometry of light and shadow into the exhibition space. In doing so, it proposes an understanding of our environment as a variable, impermanent geometry.